Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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James Abbott McNeil Whistler
Nocturne in Black and Gold,The Falling Rocket

ID: 32046

James Abbott McNeil Whistler Nocturne in Black and Gold,The Falling Rocket
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James Abbott McNeil Whistler Nocturne in Black and Gold,The Falling Rocket


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James Abbott McNeil Whistler

1834-1903 James Abbott McNeill Whistler Art Locations   Related Paintings of James Abbott McNeil Whistler :. | Wapping | Wapping | La Princesse du pays de la porcelaine | James McNeill Whistler | Arrangement in Gray and Bloack No.1;Portrait of the Artist's Mother |
Related Artists:
Samuel Scott
1702-1772 British Samuel Scott Gallery (b London, c. 1702; d Bath, 12 Oct 1772). English painter. In 1725 a sea-piece ascribed to Scott appeared at auction in London. In 1727 he was appointed Accomptant in the Stamp Office, Lincoln's Inn Square, London, an office he held for 28 years at an annual salary.
Horace Aumont
painted Flowers in 1860
SERODINE, Giovanni
Italian Baroque Era Painter, 1600-1630 Italian painter and stuccoist. His family moved from Ascona on Lake Maggiore to Rome, where his father is recorded in 1595. It is probable that Serodine was born there. His first work was probably done in association with his brother Giovanni Battista Serodine (1589/90-1630), a stuccoist active in Rome, where he carved a Virgin and Child (1614) for the fa?ade of S Francesca Romana, and in Ascona, where he restored the family home and decorated it with stucco (1620). The design and stucco decoration of the church of the Madonna della Fortuna on Monte Verit? (Ascona) are attributed to him, though it is probable that Giovanni (who is recorded in Ascona in 1620) collaborated in the work. The first of Giovanni's documented official commissions, however, was for the stucco decoration and apsidal paintings in the chuch of the Concezione at Spoleto, where he worked with Sante Ghezzi (Corradini; Toscano). These murals, painted in tempera and completed in July 1624, are sketchy and clumsily executed, quite distinct in their inferior quality and naive piety from the rest of Serodine's work. They are probably his first attempts at painting,






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